All posts by Sumana Rao

Don't worry about the people in your past; There's a reason they didn't make it to your future.
Mardani Khel: “Manly Sport”

Mardani Khel: “Manly Sport”

Mardani Khel is an armed method of martial art created by the Maratha. This traditional martial art of Maharashtra is practiced in kolhapur.

This martial art is considered to be a manly sport, which traces its history to Maratha warriors, includes 14 ways to wield a sword, sticks and other weapons. Like all good martial arts, it also teaches you the weaknesses of the human anatomy in attack mode.

The Kolhapur civic body started a program to train girls and women in this art for self-defense.

The use of weapons such as swords, katyar (dagger), lathi-kathi (bamboo sticks), veeta (darts), bhala (javelin) and dand and patta (long-bladed swords) continued but the moves were made more stylish and less lethal. The popularity of this defense art is increasing.

Pari-Khanda: “Armour & Sword“ It is style of sword and shield fighting from the state of Bihar. This art is created by the Rajput. Pari-khanda steps and techniques were used by villagers to defend their village and birth place. These moves are also used in traditional Chau dance.

Kathi Samu: “Sword fight” is very old Indian martial art originated in Andhra Pradesh and was used by mastered of the royal armies of Andhra Pradesh. The martial art is also known as Sword Fight or Daal Fariya. The swords used for Kathi samu are of various types. Besides the long, curved sword, they also use a Limcha, used in the wars earlier, and Pata, a sword with a wooden cover.

Both Pari-Khanda and Kathi Samu – teaches self defense skills, attention to surroundings, good attitude and helps in building muscle strength and healthy movement of the body.

Reference: http://indianmartialstudies.blogspot.com

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Author: Sumana Rao | Posted on: May 12, 2017
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Lathi: “The Stick”

Lathi: “The Stick”

Southeast Asian Martial Arts Weapon. Lathi is an ancient armed martial art of India. It also refers one of the world’s oldest weapons used in martial arts.

Lathi or stick martial arts practiced in Punjab and Bengal region of India. Lathi still remains a popular sport in Indian villages.  Lahti is actually a 2-5 foot stick usually made out of bamboo. This long bamboo weapon is often combined with a shield.

Other weapons such as the sword and knife are occasionally used by Lathi Khela students. A practitioner is known as a lathial.

It is a fitness regime for many villagers in North East India. They also perform various acts like Baoi Jhak (group fight), Nori Bari (mock fight with sticks), Fala Khela and Dao Khela (mock fight with sharp weapons) and Chhuri dance to music, in the presence of hundreds.

These groups may also learn the arts of dao khela (knife fighting) and fara khela (sword fighting), both of which are preserved today in the form of mock-fights.

Matches are generally one-on-one, but the art also includes mock-group fights or baoi jhak.

In lathi the center of energy is the heart chakra, and practitioners fight in a more upright position. It helps mind to focus, strengthens muscles and shoulder. Quick action helps in achieving active movement of the body.

Do you know? Rich farmers and other eminent people hire lathial for security and as a symbol of their power. The Lathi is used mainly for crowd control.. It is also known for the infamous “Lathi Charge” where policemen charge as a group while swinging Lathi in order to disperse protesters, etc.

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Author: Sumana Rao | Posted on:
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Thang Ta: “The Art of Sword and Spear”

Thang Ta: “The Art of Sword and Spear”

Thang Ta is popular term for the ancient Manipuri Martial Art also known as HUYEN LALLONG. Manipuri martial arts with swords and spears, is a strong yet gracefully sophisticated art. It is a life style rather than sport.

Concept: The art of the battle and the use of weaponry, when its warlike engagements were over, developed into a system of wielding objective elements in organic relationship with the cosmos.

The body itself became a space where the tensions and dynamics of creation was worked out in a system of movements reflecting the essence of these creative forces.

The whole world of the dynamic cosmos was recreated within the world of the body of man.

The Thang Ta is also form of Life style. It can be practiced in three basic supplementary ways – religious, demonstration and combat.

  • The physical aspect of combat of Thang Ta: Breath control, meditation, medicine, politics and ethics
  • Lifestyle: Helping others and doing good to the society
  • As a martial art: It helps in concentration, defense, protection and teaches devotion and to believe in faith
  • Health of mind: It teaches high ethical standard: For example – not to harm a weak opponent and forgive the person (in the battle).

Reference: http://www.newsgram.com/

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Author: Sumana Rao | Posted on:
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Musti Yuddha: "Art of Eight Limbs"

Musti Yuddha: “Art of Eight Limbs”

It is an unarmed martial art from Varanasi (Benares) in north India. It was almost went to extinction and now gaining importance. It is unarmed martial art from originated in this holy place.

In Varanasi, Musti-yuddha  was not a sport, but a way to  fight with the anti-social elements. Similar to Southeast Asian kickboxing styles it makes use of punches, kicks, knees and elbow strikes & head buttes although punches tend to dominate.

Matches were once held regularly in Varanasi but were eventually banned because of the fights which often broke out among the boxers’ supporters. Illegal bouts continued but became rare by the 1960s.

The additional thing which needs to meant here is that the training of Musti-yuddha  is a spiritual training, as well as  physical  workout. Traditionally, the art of hand to hand combat in India was divided into two main categories: Musti-yuddha  and Malla yuddha.

Sanskrit, mallayuddha  literally translates to “boxing match”.  Strictly speaking, the term denotes a single pugilistic encounter or prize-fight rather than a style or school of wrestling.

This art was known as the “art of eight limbs” as there are eight natural weapons to fight with: fists, elbows, knees and feet.

Technique used in this ancient martial art are punches, kicks, knees and elbow strikes. This style is a complete art of physical, mental and spiritual development.

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Author: Sumana Rao | Posted on:
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Gatka: “Short Cudgel”

Gatka: “Short Cudgel”

Gatka is an ancient martial art which has been thoroughly battle-tested and has existed in northern India for many thousands of years.  Gatkais weapon-based Indian martial art basically created by the Sikhs of Punjab.

It is a physical as well as a spiritual exercise. Both these aspects of the person are developed to a high level during the learning phase in this ancient art.

Although it uses the sword as its primary weapon, many other weapons are available to the Gatka master.

It is a complete martial system which uses spiritual, mental and physical skills in equal portions to help one fully competent in defending themselves and others.

There are many weapons used in Gatka like, Stick, Talwar, kirpan and kataar. The attacking and defense methods are based upon the positions of the hands feet and nature of weapons used.

In addition to giving the student defensive skills, it also helps the individual with other aspects of their life: makes the mind alert and responsive, maintains the body in a near perfect condition and makes soul fearless, compassionate and tranquil.

Gatka also aims at the coordination of mind and body through the meditation of spiritual verses of Gurbani, a holistic system by which the character and moral attitude of a student is shaped.

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Author: Sumana Rao | Posted on:
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Silambam: "Bamboo from the hills"

Silambam: “Bamboo from the hills”

Sialambam is a traditional stick martial art from South India State of Tamil Nadu. It is a stick and weapon-based Indian martial art from Tamil Nadu.

A wide variety of weapons are used in silamban, some of which are not found anywhere else in the world. Silambam art also used animal movements of snake, tiger, eagle forms and footwork patterns is play a key role here as well.

Another part of Silambam is Kuttu varisai, it is the unarmed kind of martial art.

Silambam appears to be taken by city youths by storm as there are many increasing interest in Silambam these days.

Today there are three kinds of Silambam being practised – Por Silambam (warfare), Silambattam (folk dance) and Potti Silambam (sport).

Apart from the kambu (stick) made of either bamboo or perambu, which is popularly associated with Silambam, the martial art is also performed using a varied range of weapons such as Surulvaal, sword, velkambu (spear), maan-kombu (deer horns) and small knives.

Mind and body benefits of Silambam:

  • Silambam is a good form of cardio workout that improves blood circulation and heart function.
  • Burns calories, helps in weight reduction and shaping of body.
  • Relieves mental stress, laziness and fatigue.
  • Improves body flexibility and reflexive movement of joints and muscles.

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Author: Sumana Rao | Posted on:
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Kalarippayattu: 'Battleground'

Kalarippayattu: ‘Battleground’

Kalarippayattu is one of the oldest Martial arts of India. It is originated from Kerala and one of the oldest fighting systems in existence. It is believed to have been founded by Lord Parasurama and Sage Agastya Muni.

Many movements and postures in the art of kalaripayattu are believed to be inspired by the raw strength of animals and are also named after them.

Many martial arts in India have been forgotten due to neglect and lack of proper documentation of their existence but kalaripayattu has stood the test of time.

During the 13th and 16th centuries, the art gained dominance and was incorporated into many religions as well. It was customary in Kerala to have all children above the age of seven to obtain training in kalaripayattu.

What it teaches?  It is practiced in most of the part of south India. A kalari is the school or training hall where martial arts are taught. It includes strikes, kicks and some weapon based practiced, Footwork patterns is most important key in Kalarippayattu.

Regional variants are classified according to geographical position in Kerala; these are the Northern style from Malabar region in north Kerala practiced by the Central style from inner Kerala and the southern style from Thiruvitankoor.

Northern Kalaripayattu is based on elegant and flexible movements, evasions, jumps and weapons training, while the southern “Adi Murai” style primarily follows the hard impact based techniques with priority on empty hand fighting and pressure point strikes. Both systems make use of internal and external concepts.

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OVERCOMING GRIEF

Overcoming Grief

Grief is a natural response to loss. It is the emotional suffering you feel when something or someone you love is taken away. The more significant the loss, the more intense the grief will be. You may associate grief with the death of a loved one—which is often the cause of the most intense type of grief—but any loss can cause grief, including:

  • Divorce or relationship breakup: Grief for children and entire family – thought of parents not together anymore
  • Loss of health: People suffer bodily and emotionally & the feeling of dependency.
  • Losing a job & loss of financial stability: This is a tough situation for entire family if there is no enough savings. Situation may be a short period but expectation is stability need to come back soon.
  • A miscarriage: Especially for mother who goes through emotional changes.
  • Death of a pet: Grief on entire family.
  • A loved one’s serious illness or death: A tough and long process that everyone need to realize
  • Loss of a friendship: Friends moving away, or betrayal
  • Loss of safety after a trauma: This can be any trauma where people develop insecurity and not at all safe feelings.

Myths and Facts About Grief

MYTH: The pain will go away faster if you ignore it.
Fact: Trying to ignore your pain or keep it from surfacing will only make it worse in the long run. For real healing it is necessary to face your grief and actively deal with it.

MYTH: It’s important to be “be strong” in the face of loss.
Fact: Feeling sad, frightened, or lonely is a normal reaction to loss. Crying doesn’t mean you are weak. You don’t need to “protect” your family or friends by putting on a brave front. Showing your true feelings can help them and you.

MYTH: If you don’t cry, it means you aren’t sorry about the loss.
Fact: Crying is a normal response to sadness, but it’s not the only one. Those who don’t cry may feel the pain just as deeply as others. They may simply have other ways of showing it.

MYTH: Grief should last about a year.
Fact: There is no right or wrong time frame for grieving. How long it takes can differ from person to person.

How to face situations and how to overcome the grief?

Grieving is a personal and highly individual experience. How you grieve depends on many factors, including your personality and coping style, your life experience, your faith, and the nature of the loss. The grieving process takes time. Healing happens gradually; it can’t be forced or hurried—and there is no “normal” timetable for grieving. Some people start to feel better in weeks or months. For others, the grieving process is measured in years.

1. Be Patient with Yourself : Give yourself time to accept what has happened, give yourself a chance. There is no schedule for when you should feel certain emotions, or be over others. Choose to stand up for you and the rest of your life, and choose to move on. You do not have to figure out how you are going to get through the rest of your life. Just focus on staying in the game and moving forward now. It is normal to cry and be depressed, but you need to keep putting one foot in front of the other.

2. Adjust Your Expectations: Accept that your emotions are a natural part of the grieving process. Experiencing death, divorce or other loss that makes you feel rejected and alone is not a life sentence of grief. You will emerge. However, do not put generic expectations on yourself and do not let others do so either. You will feel an array of emotions. Remember that grief from any loss is not a linear process. You will begin to move on in your own time; just be sure to move forward before you totally lose your way.

3. Accept What You Cannot Change : One of the most frequent struggles you may face when you lose someone is a sense of being out of control because you are not able to control when someone leaves you. Even though we cannot even almost have that control, we are not victims. There is a point in this process where you can and must choose to take a stand for how you are going to react to this hard hit. You must actively, consciously choose to focus on what you can change, and accept what you cannot change. Start accepting the changes that is surrounding you.

4. Find Strength In Others: Although it may feel like you are all alone in your experience, try talking to someone who has experienced a similar loss or someone whose presence is a source of comfort. Sometimes, a compassionate person may be a great help, even though they have not been through a similar loss.

5. Don’t Get Stuck: It is easy to be stuck in this negative experience and all the emotions of it, so you need to work to prevent being stuck in anger or bitterness. Do what you need to do to help you get unstuck. This can be different for everyone. You may find help in taking up a new hobby, getting counseling or talking to your doctor about treatment options like antidepressants. Grief may cause you to be biochemically unbalanced, and medication  may be the short-term jump-start that you need to move forward. If you have had an addiction in the past, make sure you do not turn to that narcotic as a source of soothing.

6. Recognize That Time Is Infinite, nothing is permanent: There is wisdom in that old saying about living every day as though it were your last. That does not mean you should go out and be reckless, but rather recognize that the unexpected can happen to you. Nurture the relationships with the ones you love. You have to see time as a currency that you need to spend now, not wait for a day that may never come. You are not here forever, and neither is anybody you love. Nothing is permanent in this earth.

References:
1) Center for Grief and Healing
2) www.huffingtonpost.com
3) http://www.joycemeyer.org/
4) https://www.psychologytoday.com

Image courtesy: www.werindia.com


Author: Sumana Rao | Posted on:
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